Відео

If you sell a beat up front, that's all you are entitled to. If you license a beat, whatever terms you leased the beat for that is all you are entitled to. You are not entitled to splits unless that's what the artist agreed to. Almost no one is going to buy your beats and give you splits. It is going to be one or the other for indie rappers. They will just go get another beat. It's a lot easier to get another good beat than it is to get another rapper who can make a viral song.

Got in my feelings on this one 😅🔥🔥🏆

Production is always dope. That hook!!! 🔥 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

🔥🔥🔥🔥🔥🔥🔥🔥🔥

Hook lyrics please

Still slaps hard!!!!! 🔥🔥🔥🔥🔥

Get this beat: bsta.rs/1tmwu

Fireeee fireee firee! That drop crazy👊🏽

Holy Sheesh...Let's Go "Pain" 🔥😤☄️🔥😤☄️💯

Pain!

Let my brother Pain Cook

No Diddy

Dope AF

17 Kids LOL

This idea is perfect but the large corporations like Spotify and Apple won’t integrate with it. It blatantly takes away from their revenue model. And Web3 is still viewed as a scam. So the marketing for them would be a total nightmare. It would take away legitimacy to their brand. The split & contract system is setup to be confusing on purpose. It’s like the tax code. It exists so the establishment has a leg up on independent newcomers with their complex business standards. They have lawyers and accountants to handle those complicated logistics and that gives them a leg up on a normal person who can’t understand it without deep research. This tech fixes that. And because of that, this tech is going to be targeted and delegitimized by the industry once they find out about it. You’ll have a way easier time going with a platform integration with bandcamp whose ethos is built around getting artists paid. The smart contract would somehow have to also give a percentage to the platform it’s being hosted on as well to make it profitable for a company to integrate. But if it works well, in the long term bandcamp could replace Spotify and Apple as a streaming platform by well… becoming an equitable streaming platform. Rather than merely a music marketplace, which is its position today.

crazy vibes on it fr

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Your channel's dedication is impressive and motivating! -- "Hard work is the foundation of all achievement.."

Actually a very smart approach. Nielson Mobile pays you for letting them see "anonymous data about how you use the internet"

Read the title and didn’t even need contact specifically. All I thought was “most definitely”😂

What is the guest's name? I didn't catch it. Also, is there a link for his business(es) and/or music?

Can someone put my on to formless website?

🇿🇦 Cpt ... lovit 💎💎💎🙌

The @djpain1 sound is still being defined. That's greatness, growth.

I stopped engineering sessions. Realized it would suck energy from creativity. Been years. Much better.

Dude really tried to copyright strike you

I'm a producer and a manager of two amateur rappers and it's so much for one person They think that they can do a verse on a beat and that's it... Should I drop them and move on

🔥😤🔥😤🔥😤🔥

Yeah❗️Dallas Austin is a LEGEND 🫡 4:42

💪🏼💪🏼

We in hurr

I’m a one stop shop I do it all.

Don’t pay to get your beats on Spotify. Use the promo code “ATODDS” at www.toolost.com for free premium distribution for three months.

I love Dame’s point/question about longevity and consumer burnout

This is why i hate beatstars and leased beats

Yes we do. ... We make the messy sound like magic

From what I’ve seen, I think there is like a 20-25 year age gap between being a respectable producer vs being a respected engineer. All the high level audio engineers I’ve met are typically age 50 and up. The youngest high level (multi-platinum) audio engineer I’ve ever met was 36. As a young kid, early to mid 20s “engineer” fresh out of recording school, you’re not respected at all and that won’t come for decades if you can even stay in the industry that long, most don’t last. The best you could hope for is to get coffee and fetch take out for a high level engineer. But with production its totally different and you can be young early to mid 20s and have hot tracks and have a lot of clout in the industry if your good enough. Also the barrier to entry is much lower to be a producer, a high school kid with a laptop and FL Studio could possibly be a dope producer. There are no kids in high school or college who are respected engineers. Not even possible. To be a “respected” engineer has like a $100k investment in studio gear just to get in the game.

South Africa first. Lol. Limpopo

I can't keep up with any of this. Eyes and ears glazed over. Am I tuning out because it's too technical, or because y'all are talking about real "business metrics" on this business podcast? Is it a brainfart, or am I just dumb and deeply cryptophobic? I want to understand, but I don't get it yet. I don't have a product or an audience or a brand or a mission. And the ⌚ FOMO factor just pisses me off.

10:55 guess its all perception based like KRS said reality aint always the truth. You got discouraged at people not believing you made the beat while others may have gotten hype like when a clean athlete gets accused of steriods that just means they dont possibly believe you could do it, sure they are hating on you but also actively admitting your work is too good😂

Bangin' track 💯

Where and what links do you have that show producers talking about youtube making it hard for the videos to receive traffic?

I love, foreword thinking dialogue and creative innovation, but in what world do y'all think these huge social platforms are going to allow artists or creatives to cut into they're most dominant source of revenue in Ad-Spend🤷🏾‍♂️